And what a fabulous tasting it was. This was really one of the most interesting sessions I’ve been to in years. For one thing, the level of wineries was exceptionally high, as it tend to be in this sprawling appellation. We’re also dealing with two very good years, 2012 and 2103.
As usual—and as we saw in our tasting of Russian River Valley Pinots last week—two styles of wine emerged: one paler in color and generally lower in alcohol, and the other darker and more full-bodied. It was quite impossible to rule one style or the other out: both succeeded. Of the fifteen wines we tasted, I scored each at 91 points or higher.
Here are my notes, from highest on down. They generally accorded with the group’s findings. All the wines were tasted blind during our 2-1/2 hour session, which included plenty of spirited conversation.
Williams Selyem 2012 Precious Mountain, $94, 13.6%. Over my years at Wine Enthusiast, this bottling became my favorite of the winery’s many vineyard designations. Once again, it didn’t disappoint. Gives off a tremendous perfume of aromatics: spices, sandalwood, toast, persimmon, sassafras. In the mouth, delicate but intense, bone dry, with masses of sweet fruit and a long, spicy finish. Such sophistication, so high-toned. A real beauty, and will age. Score: 97.
Hirsch 2012 Block 8, $85, 13.4%. The official appellation beginning with the 2013 will be Fort Ross-Seaview. The wine has a beautifully clear, prismatic translucence. It is delicately perfumed with strawberry and pomegranate jam, black tea, rose petal, smoke and dusty spices. Rich, spicy, complex, bone dry, with great acidity. Shows the wild, feral quality you often find in these Fort Ross Pinot Noirs. An intellectual wine, with mystery; feminine. Score: 96.
Hartford Court 2012 Seascape, $70, 14.4%. The vineyard is west of Occidental. The wine is young and fruity, with tons of raspberry jam, wild mushroom, root beer, black tea and exotic spice notes. Shows smooth, complex tannins and great balancing acidity. A dramatic, compelling wine, with a very long finish. Will certainly age. From Jackson Family. Score: 95.
Wild Ridge 2012, price unknown, 14.5%. A brilliant translucent ruby color. Absolutely luscious. Delicate and silky, with fabulous spices and raspberry-cherry fruit, cocoa powder, mushrooms, forest floor earthiness. Great acidity. This is a Jackson Family Wines brand that I wasn’t all that familiar with. The vineyard is in Annapolis, at an elevation of 900 feet. Score: 95.
DuMol 2012 Eoin, $79, 14.1%. This was the only wine in our tasting that was grown east of the 101 Freeway. The vineyard is east of Petaluma, influenced by the Petaluma Wind Gap. The aroma began with oak, and the first impression was of a jammy wine, with persimmons, blackberries, cherries, root beer and orange zest. Smooth tannins, great acidity. Later, a peat moss tang emerged. A lovely wine for holding until 2018, at least. Score: 95.
Littorai 2013 The Pivot, $70, 13.1%. The estate vineyard is between Sebastopol and Freestone. The wine is very dry and tart with acids, with some floral notes. The lowish alcohol shows in the light, delicate mouthfeel. Very pretty and supple, with complex rose petal, tart strawberry, black tea and brown spice notes. I couldn’t help but think of charcuterie with this wine. Give it another 5 years. Score: 95.
Joseph Phelps 2012 Quarter Moon Vineyard, $75, 13.8%. A darker color suggesting greater extract. Tremendous fruit, almost sappy: raspberries, cherries, cola, sassafras, cocoa dust. Showed an iodine, peat note, like an Islay Scotch. Tons of spices: clove, star anise, pepper. Rich, heady, dramatic, full-bodied. A great overall impression The vineyard is in Freestone, at 500 feel in elevation. Score: 95.
Hartford 2012 Far Coast, $70, 14.8%. The vineyard is up near Annapolis. This was a substantial wine, darker in color and full-bodied. Erupted in freshly ripe cherries and persimmons, with an earthy, mushroomy note. Feels rich and harmonious, with fine tannins and brisk acidity. Certainly a wine that needs time to evolve. Best after 2018. Score: 94.
Siduri 2013 Hirsch Vineyard, price unknown, 14.1%. One of the more delicate entries, and quite similar to the Hirsch Block 8, although of course the vintage is different. Lots of black tea, licorice, sweet raspberry, rhubarb and even some leather flavors. Exotic and savory. Feels elegant, spicy, complex, but needs time. 2018 and beyond. Another Jackson Family Wines wine. Score: 94.
Martinelli 2012 Blue Slide Ridge, $95, 15.2%. Good ruby color, with tremendous aromatics: violets, rose petals, raspberries, cola, black tea, cinnamon, clove and cumin spice. Lots of charm, with zesty acidity and rich tannins. Fancy and complex, but I found a touch of heat in the finish, which must have come from the relatively high alcohol. Still, Score: 93.
Lynmar 2013 Terra de Pormissio, $70, 14.3%. A darker wine, made from grapes purchased from this well-known Petaluma Wind Gap vineyard. Big, rich and full-bodied, but a little heavy, with extracted, jammy raspberry fruit and some meaty bacon. Delicious, but could be defter and more delicate. Almost like Grenache. Hold until 2018 and see. Score: 93.
Wayfarer 2012 Wayfarer Vineyard, $90, 14.5%. One of the darkest wines in the flight. At first, the aroma was muted. It took a while for the black cherries, black tea and persimmons to emerge. Quite full-bodied and tannic, a bigger, bolder style that needs time to develop. Despite the power, there’s plenty of harmony. From Jayson Pahlmeyer. Score: 93.
Hartford 2013 Land’s Edge, $50, 15%. The wine is a blend of the Far Coast and Seascape vineyards. I found some heat from alcohol, but otherwise, the wine is rich and exotic, with sassafras, raspberry, gingerbread cookie, cinnamon and clove aromas and flavors. Some sweet glycerine around the edges. I would certainly love this with a grilled steak. Score: 92.
Peay 2013 Pomarium Estate, $56, 13.5%. From way up near Sea Ranch, in Annapolis. I called it a “pretty” wine. Tons of sweet red fruit and berries, very spicy, with nice oak application. Some earthy herbs add interest. Polish, supple, easy to drink, with great harmony. I may have missed something; others liked it more than I did. Score: 91.
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Last week I blogged at my disappointment by the S.F. Chronicle’s wine coverage, or lack thereof. I got an email from the newspaper’s managing editor, who felt that I had done The Chron a disservice. She wrote that her team is “doubling down on our wine coverage, have a new critic/writer starting next week and plan several new publications around our wine and spirits journalism.” The new wine writer, whom I do not know, previously was at Wine Spectator.
Well, as Donald Rumsfeld famously observed, there are unknown unknowns in life. I did not know that the Chron is planning on this greatly-expanded new wine coverage, because how could I? I subscribe, I read the paper every day, and I saw nothing to alert us readers to these new realities. I welcome them: As I wrote, the Chron is Northern California’s biggest newspaper, at the gateway to wine country. I’ve read it daily for close to 40 years. No one can be more pleased than I that they are once again going to cover wine.
In anticipation of our tasting this Friday of wines from the “true” Sonoma Coast, I’ve been going over in my mind my understanding of this American Viticultural Area, which was declared an A.V.A. in 1987.
That was 28 years ago, but I don’t recall the controversy surrounding it until sometime in the late 1990s, when people began to point out that, at 480,000 acres, and stretching from the Pacific beaches to the Napa County line, it was not only one of California’s larger appellations—bigger than Napa Valley or the Santa Cruz Mountains—but containing so many different climates that to call it a single appellation was senseless.
Conventional wisdom was that the Sonoma Coast A.V.A. was pushed through and largely paid for by a single individual, who wanted to be able to label his Pinot Noirs and Chardonnays with something other than Sonoma Valley. Although the Sonoma Valley A.V.A. extends right down to Carneros, the popular view is that it’s a warmish to hot place, which, northwest of Sonoma Town and along the Valley of the Moon highway, it is.
There have long been a handful of vintners, though, who chose to grow grapes along what eventually became known as the “true” Sonoma Coast: an area just a few miles inland from the beaches, encompassing the first two or three mountain ranges. The unrest caused by the gigantic Sonoma Coast A.V.A. eventually grew so fierce that, in 2012, the government was compelled to recognize Fort Ross-Seaview as a sub-appellation of Sonoma Coast. At a mere 27,500 acres, most of it wildland. Fort Ross-Seaview represented an intelligent approach to detailing Sonoma Coast, one that I entirely supported. When it was finally approved, I was hopeful that additional “true” Sonoma Coast appellations would follow. Annapolis, in the north, seems logical. So does Freestone in the south, and possibly Occidental, although who knows what the names will be, because these things require agreement amongst warring parties, and the names often are compromises reached through lawyerly negotiations.
For me, the question concerning the “true” Sonoma Coast is, What are the differences between, say, Annapolis in the north, the done deal of Fort Ross-Seaview, and points south, whatever they’re called? It can’t be as simple as temperature, because if anything, the south is cooler, being closer to the Golden Gate; and elevation plays a crucial role on the far coast, with vineyards in the north higher up in the mountains, and thus above the fogline and more exposed to the intense solar radiation.
It will take us many years to really figure out the “true” Sonoma Coast. I hated the original appellation because it was so huge and amorphous, but I will give it credit for sparking the imaginations of writers, many of whom thought the only credible place for Pinot Noir in Sonoma County was the Russian River Valley.
The far Sonoma Coast is, and always will be, a place only the wealthy can afford to plant vineyards. I think the days of pioneers like Daniel Schoenfeld (Wild Hog) and Ehren Jordan (Failla) are gone. But I also reject the contention that major players, like Joseph Phelps, Jackson Family and Jayson Pahlmeyer, cannot succeed, with diligent and thoughtful approaches. The far coast, more than any other Pinot Noir region in California, will be a testing-ground for winemakers who aspire to greatness and are willing to gamble with disappointment. This is grapegrowing at its extremities, where an off vintage, much less a winemaking mistake, can result in catastrophe.
There are very few common Pinot Noirs in the Russian River Valley. Certainly, given the number of producers (in the hundreds), the level of quality is extraordinarily high, especially when we have two vintages in a row—2012 and 2013—that both were very fine, although it looks like ’13 has the edge in terms of consistency.
This was brought home to me following the tasting of RRV Pinot Noirs I arranged last week. In general, I found two different types of wines: darker, more robust and fuller-bodied ones that also tend to be higher in alcohol, and paler, more delicate ones. And yet, some higher alcohol wines can be delicate, while some lower alcohol wines can be dark and heavy. In wine, as in life, beware of generalizations; and don’t go drawing conclusions based merely on alcohol level!
All the wines were tasted blind; identities weren’t revealed until the very end. (Note: I am currently paid by Jackson Family Wines, which owns Hartford Court and Siduri.) We had six or seven people, and the conversation was lively. Not everyone agreed on everything, but I think there was plenty of unanimity in the room, especially concerning the overall quality of these dozen fine wines.
Here are my notes, with scores:
Peirson Meyer 2012 Miller Vineyard. $40, 14.9%, 150 cases. Loved this wine. Complex nose of red cherries, cocoa, sandalwood, cola, persimmons, orange zest, cinnamon and clove. A little heat from alcohol, but not too much. Very high quality. The vineyard is south of Graton, at an elevation of 500 feet. The winemaker/co-owner, Robbie Meyer, has worked at Peter Michael, Lewis and Jericho Canyon. Good for a newish winery to score this well against far more famous veterans. Score: 93.
Paul Hobbs 2013 Ulises Valdez Vineyard. $70, 14.1%. Darker in color, richer and denser than A, despite lower alcohol. Go figure. A bit soft and over-extracted, with cherry pie, cocoa and pruney flavors. Ripe and voluptuous, but a bit too thick for my tastes, and some hard, bitter tannins in the finish. The vineyard is in the Green Valley, near Sebastopol. Score: 88.
Merry Edwards 2012 Meredith Estate. $57, 14.5%. Rich garnet-ruby color. Very aromatic, lots of crushed cherries, rose petal, tea, dried herbs, baking spices. Quite tannic at this time. Complex, layered, but very young. Give it at least six more years. The vineyard is in the Sebastopol Hills area. Score: 92.
Joseph Swan 2012 Trenton Estate. $59, 14.3%, 447 cases. Pale, translucent ruby color leading to delicate, complex aromas of golden tobacco, cranberries, persimmons, cola, cinnamon and clove, sandalwood. Feels delicate and silky, but quite intense in fruits and spices. Nice toast. Good finish. Gentle and lovely now. I thought it will age well, but others disagreed. Score: 93.
Siduri 2013 Keefer Ranch. $46, 14.2%. Pretty ruby color. Fine quality wine. Tasting a bit one-dimensional now, but it’s a pretty dimension. Classic Russian River Pinot: dry, silky, good acidity, nice cherry-cranberry fruit. Lovely to drink now. If I were teaching a class in Pinot Noir 101, I’d use this. Score: 91.
Rochioli 2013 Estate. $60, 14.5%. Good color. Jammy pie flavors (raspberries, cherries). Nice dusty tannins, good acidity, smooth finish. Somewhat oaky and a little rustic. A bit on the light side. This is Rochioli’s basic estate Pinot Noir, not the block bottlings which tend to be superior. Score: 89.
Hartford Court 2012 Fog Dance. $65, 14.7%. Big aromatics: baking spices, smoke, masses of cherries, raspberries, blackberries, plums, sweet vanilla, balsam, wild mushrooms. Ripe, flashy tannins, good acidity. A flamboyant, showy wine that drinks well now and will improve. Also, ironically, an intellectual wine: I kept coming back and finding more. Score: 94.
Failla 2013 Keefer Ranch. $45, 13.7%. A pretty wine, polished and supple. A little disconnected now in the mouth: the oak, raspberries, tannins, acidity and spices haven’t knit together yet. I suspect most people will drink it now, but you really should age it unti 2020. A few tasters found it a bit hollow, but not me. Score: 92.
Dutton-Goldfield 2012 Dutton Ranch Freestone Hill Vineyard. $58, 13.5%, 613 cases. Pretty dark. Feels big and full-bodied despite the lowish alcohol. Dense, glyceriney. Could be more delicate, but it could be an ager. Oodles of black cherries and blackberries, orange rind, cinnamon, smoke. Considerable oak is evident. Hold until 2020, when it could easily be a 93-94 point wine.
Gary Farrell 2012 Hallberg Vineyard. $39, 14.2%. Nice to see this venerable winery doing well despite all the ups and downs of ownership. Combines delicacy with power. Intense flavors, firm tannins, some minerality underneath the bitter cherry candy and mushroom flavors. Very complex and layered, but needs time. Best after 2020. The vineyard is in Green Valley, near Sebastopol. Score: 93.
Dehlinger 2012 Altamont. $70, 14.8%. Oak wood and spice notes dominate, along with strong tannins. Buried underneath is raspberry compote, sour cherry Lifesaver candy and exotic baking spices. Supple mouthfeel, very high class wine, noble, but young. Altamont is from a hilly section of the estate vineyard, which is south of River Road, in the cool, foggy Laguna Ridge section of the valley. Wait until 2020. Score: 94.
Hartford Court 2012 Hailey’s Vineyard. $65, 14.6%. A wonderful wine. At first I was suspicious of the tremendous extract (raspberries, black cherries, kirsch liqueur) and considerable oak (44% new French) but then the innate strength and elegance hit me. A flashy, sexy wine that grew complex as it breathed, giving off notes of balsam and tamari. There is a core of iron-driven firmness I associate with Gold Ridge soils. Very impressive for drinking now and will age. Score: 94.
My tasting yesterday of eight Carneros Pinot Noirs was enormously instructive to me, even after all these years. Afterwards, we tried to put together four attributes that linked all the wines, and they were:
- a “Burgundian” earthy, mushroomy thing
- nice, ripe California fruit
Of course, identifying regional typicity is possible only in high-end wines, preferably single vineyards but not necessarily. As it turned out, there were two fabulous wines that really captured Carneros: one on the Napa side, the other on the Sonoma side. But these boundaries are political fantasies: true terroir doesn’t follow county lines, which is why Carneros was properly recognized by the Feds as the first AVA that crossed counties, because it was defined by climate and soil.
Here are my notes, somewhat abbreviated.
Donum 2012 West Slope, $90. The first wine in the flight. It blew me away so much that I decided to return to it after the last wine. Sometimes the first wine of a flight (and of the day) can seem better than it inherently is. It showed the most wonderfully ripe, pure raspberries and cherries, with plenty of exotic Asian spices, smoky oak, great acidity and polished tannins. After an hour in the glass the oak emerged as a stronger force. There also was a rich, mulchy mushroominess. This is a fabulous wine with a future. Score: 94 points.
La Rochelle 2011 Donum Estate, $80. A real disappointment. It was bretty but also thin. Well, it’s 2011, after all. Score: 84 points.
Carneros Hills 2013 Estate, $36. I work for Jackson Family Wines, which owns this winery. The wine was okay. Nothing wrong with it, in fact a pretty good wine, but the best I could do was 87 points. I know that Carneros Hills is a work in progress and I expect better things from it in the future.
Hartford Court 2012 Sevens Bench Vineyard, $65. Another Jackson Family Wines wine, and another disappointment. It was too hot in alcohol—officially 15% but I think higher than that. I scored it at 87 points.
Cattleya 2012 Donum Vineyard, $85. This was one of the better wines in the flight: rich, fruity and young, but a little soft. I thought it might improve in 3-4 years and scored it at 90 points.
Paul Hobbs 2013 Hyde Vineyard, $75. A fabulous wine. Savory, rich, complex, complete. Raspberries, plums, cherries, great savoir faire. Right up there with the Donum West Slope. Score: 93 points.
Saintsbury 2012 Lee Vineyard, $54. We all frankly found this wine a little unassertive. Nothing particularly wrong with it, just lacking that extra oomph. Score: 87 points.
Stemmler 2012 Estate, $44. It was better than the Saintsbury but not even close to the Donum or Paul Hobbs. A good, sound, well-made Carneros Pinot Noir. Score: 89 points.
Some critics have claimed to find minerality in Carneros Pinot Noir. I did not—at least, not as much as you find in Santa Maria Valley Pinot Noir.
The question arose as to whether we can assume that the Napa side of Carneros is warmer than the Sonoma side. I do think that’s true, overall: Sonoma Carneros is that much more open to the Petaluma Gap. But it differs with individual wineries: when they want to pick, how ripe they want the brix or flavors to get before they pick. And there are differences in climate even within Napa, which is why the question of Haut Carneros—approaching the Mayacamas foothills—and Bas Carneros—the muddy, sandy, silty flats along San Pablo Bay—continues to be a fascinating one. I don’t know about the Frenchisms, but I do think this process of further distinguishing Carneros’s terroirs would be further along if they’d allowed more small, creative wineries to do business there.
Carneros has lost much of its luster over the last twenty years. But the potential is there for Carneros to re-gain the reputation it once had, and again be a contender.
Nice, balanced treatment of the In Pursuit of Balance movement and those who think it’s silly by Bruce Schoenfeld in the New York Times magazine. The very fact that this phenomenon has hit the pages of the Gray Lady is indicative of how important IPOB has become in the weltanschauung of our wine conversation.
Let me get this out of the way immediately: I’ve thought since IPOB’s inception that they’re too ideological in declaring that some wines are “balanced” and some aren’t and that the dividing line is some ill-defined notion of alcoholic strength.
I don’t believe I’m one of the “invective-filled…partisans” who opposes IPOB, in Schoenfeld’s words; he catches the family quarrel well, but does tend to exaggerate the animosities a little bit—bringing in Robert Parker and his stinging critiques of IPOB (“jihadists,” “anti-pleasure,” “useless”) makes things sound worse than they are. For my part, I certainly wouldn’t use inflammatory language like that. But then, IPOB’s supporters haven’t gone after me the way they’ve gone after Parker. (I’m not important enough.)
If you believe IPOB you’d think that their members all make Pinot Noirs below 14%, but at the recent San Francisco tasting, there was Calera, whose wines can exceed 14.5%. For example, the 2007 Ryan I reviewed was 14.7%, and it was a very good wine I gave 93 points. But how do you explain Calera’s presence in IPOB? This is not a diss of Calera, whose wines I quite like, or of Josh Jensen, whom I respect, but it is a question posed to Raj Parr and Jasmine Hirsch. Why is Calera there? Are you saying that most other Pinot Noirs of that alcohol range are “unbalanced” but by some divine intervention, Calera isn’t? Enquiring minds want to know.
I give IPOB credit for sparking this conversation. Whether it’s a conversation that actually leads to any responsible conclusions, however, remains to be seen. Some years ago, the conversation in California was all about “food wines”—what they are, what they aren’t. Then, it was the application of oak that was at the heart of the chatter. This IPOB thing is a modern rendition of that discussion, which actually did have the positive result that it led to a renewed consideration of the proper application of oak to wine. There seems to be something self-regulating in the American wine industry—helped by social media and the chatty opinionizing that characterizes the wine industry—that perceives excesses almost as soon as they occur and tries to curtail them. This is a good thing.
But I suspect that IPOB will run its course in due time; other organizations will arise and fall, people’s attention will be diverted elsewhere, California’s climate will certainly play a role, and Raj, Jasmine and IPOB will go on to other, less contentious things. In the meantime, they’ve already succeeded in making wineries (which means winery owners) make, at the very least, contingency plans for what to do if, in fact, there is a serious consumer swing towards low-alcohol wines. I don’t think there is, yet, although if you read the wine press voraciously you might be forgiven for thinking it’s already happened. But this is how the media works nowadays: somebody stirs the pot, everybody starts talking about it, and the next thing you know, self-fulfilling prophecies pop up all over the place.
Have a great weekend!
Sauvignon Blanc is one of those grape varieties that seems to benefit from judicious blending from multiple sources in California. Cool-climate Sauvignon Blanc can be audacious and savory in gooseberries, with a touch of pyrazine that can be too green for many people. Warm-climate Sauvignon can have delicious tropical fruit flavors but be a little candied. Either, by itself, can have limitations, especially in an off-vintage; but blending them together seems to smooth out the divots. While it’s true that some of my highest-scoring Sauvignon Blancs ever were Mondavi Tokalons, this is a rare exception in California; Sauvignon Blanc in our state veers towards the ordinary, and it takes some great grape sourcing and careful blending to come up with a serious wine.
Pinot Noir, on the other hand, is considerably more interesting as a single-vineyard wine. I’m not sure why, other than to trot out the usual theories of site-specificity, thinner skins and terroir transparency. Perhaps psychically we’re more forgiving to a slightly flawed Pinot Noir from a vineyard. I used to wonder why a great Pinot Noir couldn’t be a blend of, say, Santa Rita Hills and Anderson Valley. It can in theory, of course, but while I’ve experienced many, many very beautiful blended Pinot Noirs, the wine always seems more interesting and complex when the grapes are from a single vineyard.
Then there’s Cabernet Sauvignon. I’m tempted to say it, too, wants to be from a single vineyard, but there are so many interesting, great Cabs that break that rule. I, personally, am a huge fan of Cardinale, which is a blend of various vineyards in Napa Valley. Yes, I work for Jackson Family Wines, but I didn’t when I gave the 2006 100 points, and I’ve never had a Cardinale I didn’t find dazzling. So I can’t say that Cabernet has to be from a single vineyard to be world class.
I think Zinfandel is probably best as a vineyard-designate, although it has to be a super-great vineyard, well-tended, and, if possible, old vines. As for Chardonnay, I’m divided on that one. It’s such a winemaker’s wine (barrels, malo, lees) that the sourcing doesn’t seem like it should matter, as long as it’s from a cool climate. And yet, as I look over my Wine Enthusiast reviews, I notice that my highest Chardonnay scores were reserved for single vineyard wines: Failla 2010 estate, Williams Selyem 2010 Allen Vineyard, Rochioli 2010 South River Vineyard, Dutton-Goldfield 2010 Dutton Ranch Rued Vineyard, Ramey 2012 Ritchie Vineyard, Flowers 2011 Moon Select, Shafer 2009 Red Shoulder Ranch.
There’s something intellectual about a single-vineyard wine, especially if you’ve been to the vineyard, walked it, had it explained to you by the winemaker or grapegrower. The Allen Vineyard, for instance, is such a distinctive place; every time I have an Allen Chardonnay or Pinot Noir, I imagine that particular place, the slight slope, the vineyard tucked up against the hills to the west, Westwide Road on the east, and the Russian River just on the other side of Rochioli. It’s a “sweet spot,” midway between the chill of the southern valley and the warmth of Dry Creek Valley, a lovely corner of the Russian River Valley that I hope will someday be appellated as The Middle Reach.
The market, of course, rewards single-vineyard wines. I can’t prove it with data, but I bet if someone crunched the numbers, they’d find that single-vineyard wines are more expensive, on average, than blended wines. I think that a winery that produces a single-vineyard wine as a very special bottling, superior in their view to their blended wines, is in the catbird’s seat, but you can’t simply assume that a vineyard-designated wine has special properties. I’ve had plenty of sad vineyard-designated wines; some have been horrible. So you never know; you have to taste the wine. Consumers want assurances, but there are none in wine. Every rule has an exception.