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WOPN Day 1, Part 2


We had our first two seminars at WOPN, and two more different sessions couldn’t be imagined–although both were based, of course, on Pinot Noir.

The first was called Not Pinot Blanc, Not Pinot Gris, it’s White Pinot Noir!? It was moderated by the inimitable Fred Dame, M.S., who reminded us that white Pinot has no real historical record in either California or Burgundy. He remembered Caymus’s Oeil de Perdrix from the old daze; I remembered Edmeades’ Opal, but these were outlier wines. The three wines we tasted, all called White Pinot Noir on the label, were Domaine Carneros 2011 (Carneros, $50), Erath 2011 Le Jour Magique (Dundee Hills, $55) and J.K. Carriere 2012 “Glass” (Willamette Valley, $22).

All were bone dry and fine in acidity, and made the case for white Pinot Noir. All are produced in small quantities, so even though the first two are expensive, their winemakers (Zack Miller and Gary Horner, respectively) argued that they had no trouble selling the wines–and they reminded us that, as they’re using their best grapes and the winemaking technique on these wines is elaborate, they actually lose money on them.

For me, the J.K. Carriere stole the show. Actually a rosé, its dry, crisp complexity (the wine did not undergo the malolactic fermentation, and was aged on Chardonnay lees), highlighted by subtle flavors of strawberries, white pepper, cream and tobacco, made it delightful. Winemaker Jim Prosser calls this a “back patio, sophisticated” wine, which means that it’s easy to drink on a summer evening, yet elegant and supple. I would gladly drink this wine all the time if I had any.

Fred Dame said, concerning the white Pinots, “These wines stretch the envelope.” Each was excellent in its own way, and if you couldn’t describe them collectively with any particular profile, each was savory and great in its way. Yet I doubt if White Pinot Noir will become a cult wine anytime soon. Consumers don’t understand what it is. As several people at the tasting remarked, people will think that a winemaker used her less successful grapes in a white Pinot Noir–even when, in the cases of these three wines, that is not true. They are true labors of love.

The second seminar, also moderated by Dame, could have been called the Fred-Dennis-Gary-Michael Show. That would be Fred Dame, Dennis Koplen, Gary Pisoni and Michael Brown. Dennis is proprietor of the Koplen Vineyard, in the Olivet Lane section of the Russian River Valley. Gary Pisoni is the well-known founder of his Pisoni Vineyard & Winery, in the southeastern part of the Santa Lucia Highlands. And Michael Browne is the co-owner of Kosta Brown Winery, which produced the six wines in the flight. It was a loud, boisterous session, filed with anecdotes and laughter, but also plenty of thoughtful information.

These Kosta Browne Pinots are, of course, cult favorites, very difficult to obtain–even for me. There were six: three appellation blends (Russian River Valley, Santa Lucia Highlands and Sonoma Coast) and three single vineyards (Pisoni, Gap’s Crown, Koplen). They all bear the same signature: big, rich, wines, dark in color, highish to overtly high in alcohol, and stuffed with ripe fruit. They typify a certain style, not to everyone’s liking, but vastly popular among a segment of the collector crowd. I do not regularly review the Kosta Browne wines, but if I’d done these six, I’d have scored them form the high 80s to the low 90s. The basic Russian River Valley blend showed especially well on this occasion.

At the end of the flight, Fred Dame posed a great question: “Are we coming to a cru system in California?” He meant that, 10 or 15 years ago, we would speak of a Russian River Valley or a Green Valley Pinot Noir. Now, we can zero in on a Sebastopol character, or a Petaluma Gap character, or a Fort Ross-Seaview character. And more: We can specifically reference a Gap’s Crown, or a Marimar Torres, or an Allen Vineyard, wines now with enough history to be able to credibly build a case for consistency of terroir and style.

An interesting concept, one worth developing at length in future posts.

  1. As a friend of Dennis, I know how much fun he can be to talk with about wine and growing, he’s ever the character — so my bias exists with the KB Koplen. What vintage did you taste of these? Also have you tasted other wines from Gap’s Crown and if so what was your take on them? THanks!

  2. Nick C, we tasted the 2010s. I have reviewed quite a few Gap’s Crown Pinots. Among the best and most consistent have been from Fulcrum, MacPhail and Expression 38.

  3. Wine Bro says:

    2010 Anaba Gap’s rocked the house

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